Lana-M.

Hybrid office by Edward Ogosta Architecture in California: ”this concept office design for a los angeles creative media agency of thirty workers, contains a menagerie of typological hybrids, which together engender a unique interior world. existing somewhere between furniture and architecture, these hybrid-objects infuse the office functions with new iconographic presence, and abstractly reference nature and the surrounding city. collectively, they foster an atmosphere of creative intensity, and embody the idiosyncratic spirit of the company. an existing 6,000 square foot tilt-up concrete warehouse provides a purified container into which the hybrids are deployed”

(Source: designboom.com)

modwit:

Modwit: Modular Architecture System - Modular Home

Modwit: Modular Architecture System - Blog

Building by Lendagar Arkitekter and Arcgency, studios in Denmark

(Source: lookslikegooddesign.com)

Starbucks Interior by Kengo Kuma, a studio from Japan

(Source: lookslikegooddesign.com)

Corallo House by Paz Arquitectura, a Guatemalan Studio

(Source: lookslikegooddesign.com)

Vitrahaus by Herzog & de Meuron, a studio from Switzerland

(Source: lookslikegooddesign.com)

homedesigning:

A Peninsula House on Lake Austin, Texas

Modern Masonry: Cool Concrete Cabin + Warm Wood Patio via dornob.com

(Source: stumbleupon.com)

miss-mary-quite-contrary:

Letha Wilson_______ Wall in Blue Ash Tree, 2011, Drywall, joint compound, paint, wood studs, 18’ h x 16’ w x 4” d

“This piece is an interior wall built inside and alongside a Blue Ash Tree at the Morton Arboretum in Lisle, Illinois (outside of Chicago). It was built with a wood stud structure and then faced with ordinary sheetrock, drywall compound, and paint. The wall faces almost due west so from about 12:30 on the sun casts shadows on the wall from the tree limbs and leaves. This particular tree is fairly late to leaf out, so the piece will change considerably throughout the season. The piece is part of the “Nature Unframed” exhibition up from May through November 2011.” (Letha Wilson)